When I retreated to my world of beautiful objects.
She was a dream, not the mask but how I composed her in Tangled Garden.
A vegetative force, Nature, birth, life, death, decay, mulch, compost. Beautiful and frightening. Strange dreams, the unknowable body itself. Life consuming life to live, plant or animal. Cells fuse to make new life, new connections, new hybrids. Wood/trees; metal/circuitry; bone/grafts; skin/love. Teeming presence.
I come from a jungle, the nature I write of is not pastoral, pretty. A fibrous network of vast connections. Natural processes. We are Nature looking at herself through her own eyes. This slip of consciousness viewing the universe for a knowing moment, soon to be lost. How can we forget the hungry ghosts, the floral opera singing in us?
An ecology of consciousness. An understanding of the parasitical and angelic. Leave the savageries. Our worlds of beautiful objects call us to retreat.
...to celebrate the unexpected popularity of my long videopoem, Tangled Garden, http://youtu.be/OG37qWh4rTM, a slow art film of a triptych of earth poems, Surreal, mythopoetic, a rhizoma of images, metaphors, explorations, philosophies (with English subtitles). I had originally thought to paint a Tangled Garden painting to give away when the video reached 1500 views (my daughter's claimed the painting, so some other celebratory gift), and began making a video of the process of the painting.
There's lots of aspects here - from the drawing and painting itself to photos of the making of the papier-mache mask, to a dance in the woods which inspired the figures in the painting. The fishnet gloves - don't you adore them! - will now be featured in any future art videos. I just love them!
The writing came out of a dream I was having during a nap when I was considering what to say in the video. It's more of a piece about the poetic process in the poems in Tangled Garden, what sort of consciousness is holding sway. I woke up laughing. I felt a bit strange laughing all by myself in a dark room late at night for the recording for sure!
Prefer the video without the subtitles, but they're there for the hearing impaired, those who like to read along, and for YouTube automatic translation into one of 25 languages if the viewer is not fully conversant in English.
Music is Pierre-Marie Cœdès' 'Whirling Thoughts,' from his album, "Insomnia": http://www.jamendo.com/en/list/a94667/insomnia (with his permission). It is a great album, do go and listen.
Tangled Garden Painting, 18" x 24" compressed charcoal, watercolour pencils, a touch of acrylic but mostly oils on triple-primed 100% cotton canvas sheet.
My Tangled Garden painting is finished. Or is it? I painted without have any pre-conceived notions about how I wanted the final piece to be and so I am having to accept what has transpired under my paint brush. Yet it works in the video of this painting's process that I have been concurrently working on. Can't believe I've been painting this painting for over a week! Usually I'm done in a half a day's hours, with some tinkering later.
Taking you back though memory lane below. :) And I'll subject you to a video of the process of this painting in the next week or few weeks too! Enjoy!
Tangled Garden, close to 900 views since Jan 25th as of this moment (unheard of for a loong videopoem featuring original poems - most videopoems maybe reach 100 views in a year), is a slow art film of a triptych of earth poems, Surreal, mythopoetic, a rhizoma of images, metaphors, explorations, philosophies (with English subtitles). -A Floral Opera (2011) -In the Hands of the Garden Gods (1979) -Slipstream, the Tangled Garden (2006) (with impromptu speaking between the poems, which each end with ~~~ in the subtitles): http://youtu.be/OG37qWh4rTM
Where it could be if I had the courage to invert all the colours! The other one is closer to the way it is. I just took these in not enough light and there is also too much shine (that's why matte fixative was invented). Tangled Garden, a painting that's not a gift anymore since it's not working the way I had envisaged. Also, I'm not really thinking about painting or anything when I work on it; rather, letting it paint itself. I sort of follow along (though I do take responsibility you understand).
I likely overdo the sharing-of-process, but here's a little clip (45sec!) from this morning (uploaded to another of my YouTube sites).
Tangled Garden Painting, in-process (7), 18" x 24" compressed charcoal, watercolour pencils, oils, and other stuff (yeah, the catch-all: mixed media) on triple-primed 100% cotton canvas sheet.
I am not happy with how this painting is developing and likely will not offer it as a 'gift' when Tangled Garden reaches 1500 views. I'll think of something else.
Anyhow, the blue sky and green grass are painted in oils, the colour on the mask was drawn on with watercolour pencils and I can mostly rub it off if I like.
The good news is that I am working on a video that I hope will be interesting when it is finished - I bought long "Ladies Sexy Fishnet Mitts" for this and future painting videos (which alone should qualify as 'interesting').
'Tangled Garden' is a slow art film of a triptych of earth poems, Surreal, mythopoetic, a rhizoma of images, metaphors, explorations, philosophies (with English subtitles). -A Floral Opera (2011) -In the Hands of the Garden Gods (1979) -Slipstream, the Tangled Garden (2006) (with impromptu speaking between the poems, which each end with ~~~ in the subtitles): http://youtu.be/OG37qWh4rTM
Tangled Garden is a slow art film of a triptych of earth poems, Surreal, mythopoetic, a rhizoma of images, metaphors, explorations, philosophies (with English subtitles). -A Floral Opera (2011) -In the Hands of the Garden Gods (1979) -Slipstream, the Tangled Garden (2006) (with impromptu speaking between the poems, which each end with ~~~ in the subtitles): http://youtu.be/OG37qWh4rTM
Since Tangled Garden, a triptych of earth poems, spans 30 years of poetry writing, and took 9 months to video, edit, subtitle, with more blood, sweat and tears than I like to recall, I continue to post comments, and responses to it. It is a major piece of work for me, and so far, if only one of my videopoems remains, I would like it to be this one.
Bent Lorentzen's comment, in a post where, mostly, I defended my videopoem, caused tears of gratitude. I shall not try to summarize his comment; rather, present here in full.
Oh my, you take me to so many places with this, Brenda, literally and figuratively. And when you talk directly to The Great Mother Earth, well into the video, you even evoked a totally unexpected tear from me.
I've seen pieces of this as you shared them in the production. What a mesmerizing journey, into your soul, and the soul of us all. Brenda, this full-length product evokes all sorts of deep emotions, some primitively-emergent tribal, some divine, as if there is a difference. It's very rare that a video this long can hold the viewer so well, but you do it masterfully with an integrated visual and auditory tension, and gentle releases, that are never too much or little, but just right... a single ancient tree with many branches and deep roots, each with their specific nuances, integrated in layers out to the cosmos and deep into the primal. I can only imagine the time and deep patient work you've put into this.
And you invoke humor: "We are told quite succinctly, to stay away from dreams and poetry. Moreover, natural is unnatural... creepy and viney, you scare us, heavy and pendulous, not at all like a laurel tree..." - the metaphors are outstanding!
Oh, the layers in this, the colors, the shadows and light, I haven’t enough vocabulary to describe the sheer exquisiteness of experiencing this multimedia experience. If I were back in my college days, with a half Cherokee philosopher who guided a couple of acid trips, including one with Walt Disney's Fantasia, I would be beyond the beyond into a most wonderful trip from this film. But I am a well grounded shaman in my own right now, deep in the roots of the planet, and already in the cosmos of my highest most subtle heart, so your work, Brenda, is nothing short of, excuse the redundancy, a masterpiece.
It is worth anyone's time to feel, I mean really F-E-E-L to the core, every single dripping dewy, sunshine bright, moonlight shadowy, archetype-inducing moment of this video. And it holds and expresses so many subtle little clues which reflect back upon the viewer... so my advice to any potential viewer is don't take you eyes or attentions away from any of its unique moments, for you will gain insight from, again excuse the redundancy, you will gain insight from this holistic audio-visual presentation.
As you can see, Brenda, I can't praise it enough, and am lost for words.
So drink it up sober like me, to get drunk in the Rumi way, or drink it up in any other way, you will be not only entertained but wiser from the experience.
And what a spine-chilling powerful finale, and I won't even describe it. That's for other viewers to experience
Thank you, Brenda, for making this. I'm going to dream well tonight.
Photograph from my videopoem, Tangled Garden, 2012. The resolution of the final video won't be too bad, I think. A fair bit of chartreuse, and other spring greens - the footage is a mixture of 3 clips, one from early May, two from later in June 2011 - that smaller figure on the left also does not appear too often in the videopoem. It's an art film, slow, spatial and painterly rather than narratorial and linear. Made by a single artist rather than a team, a very slow performance piece. The poetry spans 30 years, so represents a lifelong rumination on an earth-centred vision and spirituality. Currently saving a version for uploading to YouTube. Subtitles all done. This is my most ambitious project to date.
As I finally draw near to completion with this 22 minute video project, I have to do the titles.
I took the original video May 9, 2011, and watched it over and over on the viewfinder of my video camera, wondering what I would do with it. It is very rhizomatous. In June I went to the park with my daughter twice to video some creative movement, yoga dance, whatever you want to call it, for this long videopoem. Out of that footage I did make two solstice videos last year, commemorating the sun's closeness ('Green Goddess' dance) and distance (Shadow Cave), and those videos have done very well (relatively speaking) I am happy to say. Tangled Garden might be live by the end of the week - how exciting that prospect is! Months and months of work finally coming to completion.
Ok. It's an 'art video' - not much happens, but..... that's alright. It has its own magic.
Anyway, it is a triptych of 3 long poems, which I did spend 3 days subtitling, so that should work out nicely.
So here are the titles - any suggestions are appreciated!
One of the poems I'll be reciting in the video poem I am still working on, "Tangled Garden." I wrote In the Hands of the Garden Gods when I was 27 years old, and it fits beautifully. I guess I've been working with the themes of a Tangled Garden most of my life. It will be the poem in the middle, after A Floral Opera, and before, Tangled Garden. The video poem is 21 minutes long, and I have been working on it for quite awhile. As many hours, days, go into it I see it emerge slowly, slowly.
This video is not finished. It has no title or credits and is 'Unlisted' at YouTube. The final version will be much higher resolution. I've posted it for critique purposes only.
It is a clip from a long video poem, Tangled Garden, that is 22 minutes. The footage is mostly all like this cut. There are three poems: 'A Floral Opera,' which I recently wrote; 'In the Hands of the Garden Gods,' which I wrote when I was 27; and 'Tangled Garden,' which I wrote in 2006. This clip is the 'Garden Gods' one. It's still quite raw. I am seeking feedback, critique.
From my perspective - the dance in the background needs to be re-done. I need to get my costume and myself back to High Park for another round, perhaps without my daughter. Though can I go and dance alone? I'm hesitating. There are very few people I'd feel comfortable with doing this. If I manage it, it'll be like the one here, only perhaps a little better (I hope).
The voiceover poem was done one night, reading straight from the journal I wrote the poem in so many years ago. It probably needs to be re-done too. I'm not sure about the saturation of the voice and whether it distorts. The reading itself, though, is just about right in emotional tone, so I'm not sure I should do another.
Since this is an 'art' video I am not worrying about catering to any kind of popular taste. Um, I guess I move to my own drumbeat, or something like that.
What I am looking for are responses, and ideas that I may incorporate into the final version.
I realized it's better full screen, also 720p. Tonight I walked by the house where I rented a small bachelor's back when I had the dream that became this poem. And as the dream itself comes back, I realize that the way I've done the footage of the Garden God (or goddess) is incredibly close to the dream I had so many years ago. That was a wow moment, on the street corner tonight.
I've seen pieces of this as you shared them in the production. What a mesmerizing journey, into your soul, and the soul of us all. Brenda, this full-length product evokes all sorts of deep emotions, some primitively-emergent tribal, some divine, as if there is a difference. It's very rare that a video this long can hold the viewer so well, but you do it masterfully with an integrated visual and auditory tension, and gentle releases, that are never too much or little, but just right... a single ancient tree with many branches and deep roots, each with their specific nuances, integrated in layers out to the cosmos and deep into the primal. I can only imagine the time and deep patient work you've put into this.
And you invoke humor: "We are told quite succinctly, to stay away from dreams and poetry. Moreover, natural is unnatural... creepy and viney, you scare us, heavy and pendulous, not at all like a laurel tree..." - the metaphors are outstanding!
Oh, the layers in this, the colors, the shadows and light, I haven’t enough vocabulary to describe the sheer exquisiteness of experiencing this multimedia experience. If I were back in my college days, with a half Cherokee philosopher who guided a couple of acid trips, including one with Walt Disney's Fantasia, I would be beyond the beyond into a most wonderful trip from this film. But I am a well grounded shaman in my own right now, deep in the roots of the planet, and already in the cosmos of my highest most subtle heart, so your work, Brenda, is nothing short of, excuse the redundancy, a masterpiece.
It is worth anyone's time to feel, I mean really F-E-E-L to the core, every single dripping dewy, sunshine bright, moonlight shadowy, archetype-inducing moment of this video. And it holds and expresses so many subtle little clues which reflect back upon the viewer... so my advice to any potential viewer is don't take you eyes or attentions away from any of its unique moments, for you will gain insight from, again excuse the redundancy, you will gain insight from this holistic audio-visual presentation.
As you can see, Brenda, I can't praise it enough, and am lost for words.
So drink it up sober like me, to get drunk in the Rumi way, or drink it up in any other way, you will be not only entertained but wiser from the experience.
And what a spine-chilling powerful finale, and I won't even describe it. That's for other viewers to experience
Thank you, Brenda, for making this. I'm going to dream well tonight.