The palm drops
on the inside
of the skin
animal drumming
beating on the drum
drumbeating the night
beating on the eardrum
drum drumming deeply
drawing the heartbeat drumbeat.

My body is the drumbeat
drumbeating my skin
sweating, hot,
drumbeating my body's
percussion, rub, snare,
pounding, colliding of
musical pulses
lyrical sinewy
or staccato modern
or wild shamanic
hair flying
free.

Red shiny satin clinging,
wet
sweat.

The djembe hip bag that I scrubbed, suede dyed to emulate Holstein cow naugahyde, in black and cream, with a wild boar bristle brush and saddle soap because of the dark streaks, smells of animal hide.

I hold it to my nose, and smell. Animal. Hide.
The drumming of the jungle.
An animal skin.

Taut.

Primal beat bounding
resonating, resounding.

You gaze at me, though you haven't looked at me.

I am in your gaze without your seeing me.

It is my hunger you remember feeding,
that you want to feed.
Our heat burns hotly.

Drumbeating
the rhythms beating in us,
the African djembes
dance us.

__________________________
Lately I've been dancing to fabulous drumming. I'd like to thank the drummers at Toronto Tam Tam at Xing Dance Theatre, Shara Claire at 5Rhythms™, Gary Diggins, and Kwanza Msingwana at Tribal at Dovercourt House in Toronto, all in the last 3 weeks.

As a lyrical poet, I use the I-Thou relationship often in my writing. The "you" is a muse and doesn't refer to anyone in particular...

I passed her in the alley on the way home, large, in clogs without any socks, grey hair dyed blonde, the rain turning to snow with a wind rising, cold, gingerly braving the asphalt, hanging onto her walker, out, exercising, steps barely felt by numb feet and legs but each touch of the ground and forward motion an accomplishment. We crossed the road. Opening my door, the dog ran out and greeted her, which lit her face up. But where the pavement curved to meet the drain she fell. Sideways, on her hip. After assuring us she was fine, a neighbour and I lifted her to her feet. The ambulance was already flashing behind us. "I'm fine, I'm fine, thank you." I placed her purse on her walker and she began her slow step forward. Her hands couldn't grip the walker, it was uneven, the ground, and she fell again. The snow falling on bare skin, I pulled her top down, a small dignity, as the paramedics came and spoke to her and then lifted her and gently took her into the ambulance... perhaps diabetes, I didn't ask, only blessed her and wished her well and waved good-bye, and then came and wrote this, a sketch to remember her by.

Photos on the blog are one way I keep track of myself, I suppose. The composite shot happily imbibing from a usually-packed away Waterford crystal wine glass that's one of the few remaining from the gift they were 30 years ago was taken in December on my daughter's birthday by her with her new camera. The Krishna-blue lady was also taken then, as a black and white photo and don't ask how I managed to colour it so, call it an act of 'soul force' through Photoshop, the path of filters and colorations I have forgotten. I'm not sure if I've shown it to her, but I like the blue skin and hair of fire... creative collaboration, of sorts.




A little self-portrait reflected-in-the-mirror from September. The thing is that top is a danceskin and my legs were bare and so I had to paint in a dress -you know how it is... :-)

Back to regular programming shortly...

Needles follow the crinoline green tree like a wake as it is dragged out, on this day of unseasonable warmth and a rain that is barely more than mist. I know now. Comprehending in its enormity.

A criss-cross of green needles on the floor, over the carpets, down the stairs, so profuse the woods are overtaking. They crackle underfoot. They exude the intoxicating aroma of the resins of pine trees.

Were there lightly brown brushed earth and a firepit of dancing flames and a wide-starred sky. In the moment that the place buried in the core of the city turned into wilderness you came, and stayed. With your wild-boar ways, your genteel touch. We all wore our hiking boots in the small enclosure because the green was growing. We found half a red bird, shorn wing, lying, torn from the tree, while the other half flew around the room alighting on the couch or desk at whim, a red decoration, a whirling flame. Today was Epiphany, and it surprised us.

When you let the green in your veins flow instead of blue, verdant, fecund, rich. When we find the wilderness within the endless procession of us, passing by, layers upon layers of meanings, fluxes, the city crowds, where the wild where the red-feathered bird is whole, and sings like any decent phoenix.

I expect you to rise from the green ashes.

Is that tree tinsel, glittery, like pyrite? Be wary, the city offers satiations, pleasures, whatever you want. Is that what you're searching for? With obsessional focus? The tracks, pine needles stuck to your boots, falling off as you go, that I follow deep into the wilderness of your mind, where you dwell in loneliness mining yourself.

Sometimes sameness stretches in every direction and the days open and close like readings of the book of your life that you expect, and nothing shifts even if you ache for it. Other times the sheathes of pages of days open at alarming rates and you barely understand what's happening, let alone 'get a reading' on where, what, how, when, or why.

This festive season and as we make our way into another spiralling year, the latter rather than the former predominates in my life. Sorry if I've been absent, a family crisis has created shifting and buckling and reconfigurations... and both of my beautiful children are by their choice now living with me.

Wishing you all a great year ahead, loving, warm, successful, and especially feeling good about mostly everything, yourself, your family, friends, colleagues, work, health, finances, art, the whole marvelous and spinning wonder.

Remember there is nothing, ultimately, but our love for each other.

The very best wishes of the festive season
and a bright and happy New Year~

love Brenda

(embedded image of the sun from SOHO, taken today)

It'll return differently. My inaudible voice. The leaves of the Poinsettia are indistinguishable, except for their colour. Hidden stamens in a red enfolded heart.

Voiceless, I spoke. The unheard words. Deep pressure of language pushing at my throat.

The man who couldn't speak came. I heard words that aren't spoken.

The chords couldn't vibrate in my vocal folds. A laryngitis, inflamed, swollen larynx, a temporary absence of speaking. The air from my breath couldn't sing on my words.

Uttering inaudible, squeaky synechdotes of words, charades, finding sign languages. Or forcing articulated sound through. What shapes into words that string their sentences over the landscape of plants and carpets. I enjoy the silence, resting in soundlessness.

My tongue, lips and mouth pantomime sultry words, my dear, but you can't hear. Listen for resonances. In the silk of the red Poinsettia blouse that I wear. And the tinsel of the season, green and red globes where we are reflected, cherry and gold ribbons tied into bows, sparkling prisms hanging from green pines, strings of lights lit, teasing at what's unsaid.

Hubris, that's it. For boasting that I hadn't been sick in three years. For many people, such a length of time sounds good, even if I had a bad bout of bronchitis back then, in January 2005, and was bedridden for 3 weeks. It was just after the tragic tsunami struck the countries of the Indian Ocean. I wrote a poem during that illness, lying in my bed in Vancouver.

And not a sniffle since then.

Until this week. And how quickly it developed into laryngitis! It's punishment for yelling. Whenever I do, I suppose.

Hubris and Punishment. And they sprayed Lysol around me at work, laughing, after the coughing spell, after I tried to eat my hot chili pepper spiced stew, after which I lost my voice. It's fun losing your voice when you know it's the punishment for the hubris of boasting before the Gods of the Flu.

Can't say I'm enjoying it too much though.

So I slugged codeine-laced cough syrup for the rest of the afternoon and no longer cared.

Taken with the Sony DSC-W55 Digital Camera that I bought for my daughter's birthday recently. Quite different to the cell phone camera's shot. The words of the little poem there I don't think have the quality of being born out of this image...