Because I like to draw at poetry readings and many of them are in dark bars where there is not enough room to spread art supplies and there is not enough light to see your page, I started, this weekend, to explore drawing and painting apps on my (smallest, cheapest, non-retina, 2013) iPad Mini (purchased to show Gallery owners my work and it did get me the show at Urban Gallery almost immediately).
All of these sketches were done in each of the apps without looking at, let alone reading, the manuals, instructions or anything else. While I've never used any paint programs, I have used Photoshop for years and so it wasn't hard to figure out an instrument (pencil, pen, crayon, brush), a thickness, a colour. Of all of the programs, Brushes proved to be too hard to figure out - and will require a thorough reading of the manual at some point. I liked the animation video Brushes created of the drawing though I was not able to export it. They are all powerful programs that offer the artist a vast range of drawing and painting options instantly - just open your device, aim your stylus, and go!
The first one. Entitled Resurrection Man. Drawn in layers in Sketchbook Pro and assembled in Photoshop.
This was done in ArtRage. I like the first two filtered versions, a Noir and a Transfer, better than the original, in which too much blue predominates.
Sketchbook Pro again. Only lines this time (orig to left, separated layers in the final version on the right). Trying to see how best to sketch - there is a short lag, and even then the lines don't always appear on cue. This drawing is a bit wispy for some reason (it wasn't on the device) and easily took three times as long as it would have with pen and paper. Flippantly called, 'Womans In Crinolines.' Digital drawing, any town, any size.
This one is done in Brushes. Now I know Brushes is a powerful paint program but I could hardly get it to work and am thinking it wasn't recognizing my Sensu brush stylus and simply going by pressure. I wasn't, for instance, able to get it to do detailed eyes - it just ignored my repeatedly laying down lines. While I like Brushes, I realize it's going to be (another, sigh) learning curve.
Not my best one so far, and it definitely looks 'digital' - no variations in line thickness, etc. -sort of like a marker drawing. Done in Sketchbook Pro with a stylus with a nib, the Adonit Jot Pro, which was much more responsive than the Sensu brush. My doggy after her walk today. Snooze time! :)]
This one was done in ProCreate with the Adonit Jot Pro stylus. The original is on the right, and the splitting of the layers was done in Photoshop on my Macbook Pro. (Yes, these programs will export a .psd file.) When I shifted the layers, 'he' went from being a man to a 'woman.' Intersex. Transgender. In and out of drag. Or 'she' is a woman who becomes a 'man.' Intermeshed. Fluidities of gender.
Last night at our Ren Rev poetry workshop I tried to draw Norman Bethune and my lines were so hesitant and wispy, I see I have a long way to go. He was very sweet, and said he liked the sketch but learning how to draw digitally - at least 200 hours he estimated. And the final layer I drew, without which the sketch is pointless, has simply disappeared. It was there when I showed him last night; it's entirely gone this morning. I thought closing the app meant an automatic save (there are no save buttons anyhow). Apparently not. Can't get an answer Googling the issue either. Time to read the manual, I guess.
Having been at it only a few days, I'm not doing too badly (except for Norman's sweater and eyebrows, which disappeared).