Does a photograph of a reflection of oneself in the glass covering a watercolour drawing by oneself count as a self portrait? Tired, having walked many miles in search of shoes for my daughter, for myself, in 32C/90F humidity, now listening to Anjani's and Cohen's Blue Alert and sipping red wine...

For Sparky's Self Portrait Marathon.

Who am I? Why do I find self-portraiture harrowing? What my mind sees and what my hand draws are not the same. Is it that my eyes are trained to see like a camera, and my hand feels its way over surfaces, uncaring about representational likeness? If someone who knows me saw these self portraits would they recognize me? The problem is no, they wouldn't; not out of context. I don't know who I'm drawing, but it's not me. Could I then call them versions of the self?


Because Natalie asked, for Sparky's Self Portrait Marathon.

Two renditions of the same self portrait drawn in a tiny mirror, on a small piece of canvas, 3.5"x5", india ink, watercolour pencil. Click on image for larger sizes.

I found this in my inbox, neat huh:

"Hello,

I'm writing from Open Source, a public radio show based in Boston and distributed around the country.

Last year we started what we hope will be a yearly tradition for us called Blogsday. Based loosely on Bloomsday, which celebrates "Ulysses" as an evocation of the whole world in a single day (in Joyce's case, June 16, 1904), the idea is create a mosaic portrait of our country from excerpts of blog posts written on the same day. (In our case this past Tuesday, June 9th.)

After assembling the excerpts we bring in two accomplished and agile actors to read them. I'm writing now because your post on June 6, "On Saturday Night," caught our eye and we're interested in using it on the show, which will air live on Thursday night from 7-8pm EST.

We can't pay anything -- this is public radio after all -- but we can guarantee a respectful treatment, a national radio audience, and a link on our blog.

Best regards, Chelsea"

I don't know if it's podcast. Chelsea did email me at 7:30pm: "It's being read right now. It sounds great. Many thanks." It was a long day and, oh, it was nice to say yes to Blogsday in honour of Bloomsday...

Another sketch, for Sparky's Self Portrait Marathon, surreptitiously where I'm working. The small mirror was under the counter, it was dimly lit, and I had my sketch book flat in front of me, so... Someone did say, "That looks like you!" But then my daughter said it was cartoony and didn't. Representation. Oh, sigh. Self-portraits. Oh, sigh.

While I released myself from having to make people look like themselves some time ago, and consider my drawings instead 'inspired' by my models, and it was very freeing, I am trying to create more of a likeness, however that may be!

Eyes are too big. Reading glasses askew - that's me!

It's a self-portrait, because Natalie asked, for Sparky's Self Portrait Marathon.

I know it's pale and limpid. So many night-time dreams over the years that I ought to draw, paint... but I don't know.

Perhaps I'll write about meditation, what I do daily, sometime...

100 Days, a place to meditate, is a wonderful site if you'd like to find compatriots.

A short prose poem published in Qarrtsiluni that I wrote on Earth Day, Dress Us In Apple Blossoms. I took the photo of the apple where I was working just before eating it. When I looked at it later that night, I found the image disturbing - you'll see what I mean. And got to thinking about apples and Eve and wombs and death and Genesis and nature. We're revising the texts now, planting new seeds...

Do you ever get those evenings that never quite fall into an activity, or a rhythm?

The hours drift by, unfulfilled. The rain falls in rich curtains of fertility. Everything is bathing, the trees, shrubs, flowers, birds, earthworms. But your mind strays, unfocussed.

I wouldn't call it boredom, but it sort of is.

When nothing you can think of is enough to rouse you from your couch of comfort. The hours aren't weaving or unweaving anything. You're just wasting them.

You feel spent, uninspired, worked over, at odds, suspended.

I don't feel like drawing
or walking the dog.

I don't feel like being alive
or dead.

Or creating art out of my life.

I don't feel like being alone,
or with anyone.

The lush Spring rain
simply falls
without metaphor.

You want to eat something
to nourish and fulfill
but all the multi-grain breads and cereals, the fruits, oranges, apples, strawberries, grapes, and almonds and raisons and cheeses, the fresh vegetables, carrots, green beans, cauliflower, broccoli, and herbal tea of cranberries and vanilla that sits steaming in your hand
doesn't satisfy.

And you ask questions of the moist fresh air all evening
about what was, is, or will be
asking about intention
knowing that's it,
the intent to be
is everything.

And you write it,
this mundane
enfolded mystery.

This is a rather funny, depending on how you look at it. A dear blogging friend, Bill, bought one of my watercolor pencil drawings:



He wrote in a recent comment, "By the way, my Mother in law thinks my awful painting of those people having sex should be removed from our quest bedroom. I love it by the way and will post it framed soon."

Huh? I overlaid (uh oh, I'm noting my terminology) 3 sketches of the same model from the same lifedrawing class and then colored them so that they seem what I thought was melting into each other (uh oh, terminology again) like a dream, sort of surrealist. All I can see is the figure 8 of the composition, which I like and didn't notice until it was finished. But now that he mentions it...

A prime example of how the artist creates a work but doesn't thereby generate the meaning... (Wayne Booth's Rhetoric of Fiction, but don't ask me for a page reference, it's in storage! Booth says there is a gap between author and text, and between text and audience. I'll say!)

But perhaps unconsciously... (O, roll over Freud, roll over).