Does language hover between my nerve endings and the world, or is language my skin itself? Sheath of feeling. Words groping to touch air.
Angelman, the flowering tree
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'Angelman,' as I call him, is based on an india ink sketch that has been brought to the state you see him through Photoshop Elements.
When I drew him from wherever he came, I mused on 'flowering trees,' extensive roots, connectedness, capillaries of culture, warmth, protection, strength, wisdom, bold love, how hands, our hands, are wands in the world. His hands are his wings. His wings are the sweep of the rooted world and sky. He is gold, like the sun.
I think of William Blake, and visionary art, of mysticism.
My preference is the image that is composed of the India ink drawing finished digitally. I copied his image into a new layer and added filters, coloration, clonings, dimming it from 100% opacity until he spread a translucent web of capillaries and rock colours over my computer screen. Perhaps he is like the gold embedded in the earth. Or a rising sun.
This week I received difficult news, 3 places I submitted work to some months ago said no, my contract where I'm working will end in a week, and my taxes were reassessed with the result that I owe. Sigh. Oh, and my daughter is waffling over whether to spend Saturday here when I cook my family a Thanksgiving dinner.
Today I worked 8½ hours without a lunch break. The world is a glorious place, though sometimes it presents rockfaces to us, and we must climb them.
Original image. 11"x8", coloured India inks on paper.
No, no, it's not that. Truly. Just what's 'left-over' from creating the banner. A quiet evening after coming home early to sleep all afternoon, staving off a cold, achey, hot & cold chills, and tonight Nuit Blanche! in Toronto, an exciting night, ah sigh, playing in Photoshop Elements before turning in... with multiples, cut-outs, ghost images, un peu de fun!
Stills from a dance video that I tweaked out of the room in which they occurred and onto my banner (hey I used to play with faeries as a kid, wee folk, nature spirits, great fun and beauty - sorta like that):
Just for fun, created a little mosaic on my 'Links' page at my website - the websites displayed here are just like being on the real pages, you can browse, read, even leave comments! Click on the names above each site, which I've hyperlinked, if you're tantalized and would like to go to their websites.
Erica Ross is composing an 'About Us' page at her website: Dance Our Way Home. She asked me to contribute. I share only to encourage you to go, browse and pour over her site, its beauty.
“I've known Erica for many years and witnessed her blossoming into the teacher she is today. Her dance sessions incorporate the power of mythology to give us direction in our transformations through the mystery and magic of our own rhythms, the creativity we call on in our lives. Erica's DOWH sessions are always well researched, and carefully planned with open dance, partner exercises, a flow between movement and resting while Erica guides our visions towards integrating a greater whole within ourselves, in the relationships in our lives, our harmony with the forces of the universe. It is her loving care for the gentle and deep nurturing of women, our often fraught and splintered self-images and connections in an ever-changing world, in a safe and welcoming space that drew me to her Dance Our Way Home practice. In this practice I have found compassion and a celebration of us, as we are, as well as support for who we would like to become, the realization of our dreams.”
Brenda Clews, Writer, Artist
Brenda Clews is a poet and painter living in Toronto, Canada. Born in Zimbabwe, and having spent a childhood in the jungles of Zambia, she embraces the dance of shamanic healing that DOWH offers. She is a developmental editor, a tutor, a certified Kundalini yoga instructor. Published in literary journals, her work shown in art shows, she is developing an aesthetic of multiplicities, of our beings as prisms, in which dance is a central metaphor for living and understanding our lives. Read Brenda's poem "Bramble Rose" and writing "Erica's Dance Our Way Home". A small videopoem she created after the Solstice Ecstatic Dance in June 2009 may be seen on her Celestial Dancers page of her website, Art & Writings.
'Behind the Veil: An intimate journey into the lives of Kandahar's women.'
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A Globe & Mail series, forthcoming through the next week. I found the first two disturbing, painful. Life is not just worse than ever for women in Kandahar, but life-threateningly dangerous. How, after the short period of optimism and hope, some shedding of the burka for the veil, bravely venturing out to schools, to work, did things turn back into a life that the women say is worse than that under the Taliban? Then there was 'a reason' for the attacks & torture, now there isn't - just a whole city become psychopath. Scary. Sad. Tragic.