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Pellets of snow ice fall on the roof tiles sticking to them in gullies, bands, slats. The tiles, buckled, laying over each other for the run-off. Wet, rough, sandpapery.

There are no legions of souls. Only empty air.

The rough peck of ice falling from the sky.

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Rishma Dunlop, a poetry reading sketch at the Art Bar at Q Space on April 2, 2013. 4" x 6", Aquarelle graphite on 130lb archival art paper. This drawing was done with a water-soluble 6B pencil, and so can be wetted and then it will change, and may lose the likeness here, so I thought to post the original sketch before seeing what a wet paintbrush produces.

(Unfortunately, once again, I forgot my 'distance/close-up' glasses, and so she was fuzzy in the distance and likely the likeness is too. Lol.)

Rishma was on my thesis committee for a thesis I didn't finish at York U about a decade ago. She's a fabulous poet, essayist, literary editor and teacher. I bought her book, 'Lover Through Departure,' and look forward to reading the poems. It was wonderful to see her again.


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Joani Paige at Nik Beat's HOWL at Q Space on March 24, 2013. A little sketch that I turned into an ink painting. 8.5" x 11", graphite, India and acrylic permanent inks on 130lb archival art paper.

(Was trying to recall how I did my ink paintings last year...). Original pencil sketch here, and a video of Joani singing that I did in 2011.
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Charcoal sketch of Gabrielle B. [it is nigh impossible to find images of her on the NET, and she's a published author, and so I think that is a deliberate choice, and therefore naming her is not, I suspect, apropos] at Nik Beat's HOWL at Q Space on March 24th, 2013. To the left, the untouched original sketch done there, and, to the right, finished in various colours of conte. I had to rely entirely on memory for the colour, which perhaps I oughtn't to have done since to my eye the finished drawing loses the spontaneity of the sketch, but I wanted to attempt the rich skin tones. 8.5" x 11", 130lb archival art paper.

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It is the kinda day to pick up your cross and bear it.

I'm not saying I'm wishing you a Good Friday, exactly. Actually this drawing was drawn a month ago and I just finished it tonight and took a photograph under daylight bulbs.

'The Poet Who Is Either Silenced Or Speaking Fire,' 2013, Brenda Clews, 8.5" x 11", mixed media on 130lb archival paper.

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Joani Paige at Nik Beat's HOWL at Q Space on March 24, 2013. A little sketch that I haven't touched, only photographed. There was a mic in front of her the whole time, and, since I didn't want to draw it, I had to imagine where it hid her beautiful face. Lol. Joani was wonderful, and it was wonderful to re-connect with her!

I once did a video of her, a few years back. She told me last Sunday that she had only recently watched the whole video, that she finds it really hard to watch videos of herself performing, and that she really liked what I did! Wild how it works, huh.


Joani Paige, singing "So Fine," with Willie Anicic on harmonica near the end, and Pat Kelly on percussion (not in camera range) at Free Times Cafe on September 16, 2011.

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direct link: Nik Beat @Videofag

A clip of Nik Beat performing a poem at Videofag in Kensington Market in Toronto on March 16, 2013. A live performance. Videoed and edited by Brenda Clews.

This one is a complete enough poem that I added it to my videopoetry playlist at YouTube, and am tagging it as a videopoem.

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direct link: Jacqueline Valencia @Videofag

...another of my clips from the poetry reading I went to on Saturday night. Jacqueline Valencia performs at Videofag in Kensington Market in Toronto on March 19, 2013. Half a Mohawk, and a green ponytail, and a mask, irresistible. Enjoy the clip!

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direct link: Brandon Pitts @ Videofag March 2013

I did some of the sort of filming that interests me last night at a poetry reading at Videofag in Toronto. This snippet isn't fully 'worked out' but it's getting there, and I'm okay with posting it.

I'm also learning new video editing software, so creating this video took awhile. Be gentle, folks. Also, I follow my rhythms, my aesthetic, in videoing and editing rather than trying to produce a facsimile for the performers (there were other video cameras running anyhow). So, with the authors' permission, I took ...liberties. Enjoy!

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