Adam Abbas hosted my final Poetry Salon at Urban Gallery this year on Saturday Nov. 29th from 3-5 PM EST. Talented, charming and ever-generous, thank you Adam for all the hard work you put into this Salon! Featured were Anna Veprinska, Dave Hurlow, Rasiqra Revulva, Neal Alexander Shroobacca Armstrong and Nyla Matuk. Thank you for such fine poetry and readings! Norman Bethune Allan, John Oughton, Areta M., and I also read on open mic. Adam arranged for the licenses and brought beer and wine. It was truly a wonderful afternoon! Many thanks to all who came out!!! xoxoxoxo

Anna Veprinska's new poetry collection Sew with Butterflies was released by Steel Bananas in 2014. She is a poet who is currently pursuing her PhD in English at York University, researching empathy in poetry. Her writing and photography can be found in various Canadian and British publications. She also plays the mandolin in the Toronto Mandolin Orchestra.

Dave Hurlow's first collection of short fiction Hate Letters from Buddhists was released by Steel Bananas in 2014. He is a Toronto-based writer and musician. He studied literature at King’s College in Halifax, and plays bass in the Toronto band The Darcys. Their second album Warring was released by Arts and Crafts in 2013.

Neal Armstrong is an artist and performer who splits his time between Toronto and the dream world.

Rasiqra Revulva is a Toronto-based writer, multi-media artist, editor, musician, and performer. She is a founding member of the synth-punk/electro/glitch/industrial music and visual art collective The Databats. Her writing has been published by The Incongruous Quarterly, Cordite Poetry Review, ditch,, The Feminist Wire, and The Quilliad; and exhibited at the 2014 PULP: paper art party, the 2014 BIG on Bloor Festival, and IMG Forums at Propeller Centre for the Visual Arts.

Nyla Matuk’s first full-length collection is Sumptuary Laws, published in 2012. A chapbook, Oneiric, appeared with Frog Hollow Press in 2009. Her poems have appeared in, or are forthcoming in, The Fiddlehead, The Walrus, Hazlitt, Canadian Notes and Queries, The Best Canadian Poetry in English 2012 and PN Review, among others. She was a finalist for the Walrus Poetry Prize and the Gerald Lampert Memorial Award.

Please go to my Poetry Salons at Urban Gallery album at Picasa to see who's who - the album starts at the first salon and goes to the latest.

                                                                                           

The photography on the walls is by KAREN SILVER, whose show, Otherworld, was up at Urban Gallery when we had our Poetry Salon there.
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Finally got around to photographing, cropping and whatnot the life-drawing session at Bampot Bohemian Teahouse on Oct 19th. Not terribly.... not. But, ok, let's post. The final drawing, which is the first here as they are in backwards order, was what keyed me into thinking, Why don't I take a little canvas for that last pose... (which is supposed to be 40min, though it's often a lot less than that because the break is a lot longer than the time allotted but I can insist that the model do the long pose right after break and then whatever short one might fill in to 5:30pm, yes I can).

You'll see my little canvas, which will be in a Group Show at Yellow House Gallery, in my next post, whenever that is.

Hope you're all well!



                           
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I've been absent for a bit ...not off having fun, but working on a videopoem that I had on my list for 6 or 7 months and which I finally finished because I wanted to submit it somewhere and had a dead-line. I pushed myself through a gruelling week and a half of 18hr a days and towards the end found myself out every single night at different poetry, dance and drawing events. Sleep was less than minimum (2-3 hrs a night, I was approaching break down). However, I got a complex poem written and edited, edited the video footage, did about 6 readings of the poem before getting one I could live with, and created the soundtrack for the background with a small cheap keyboard and GarageBand - and also I did subtitles. The videopoem is about 7.5min, and was a feat. I am happy with the result, though I don't hold out too much hope for its finding acceptance where I sent it (this is the norm for me - my first choice never says yes, but if I keep submitting, where it is accepted is always better for my work and me).  So I will be sending it elsewhere, whenever it comes back. Due to the requirements of previously unpublished works, I can't publish it or share it with you now.

I have been drawing, though. And today finally had some sun and time to do the arduous task of photographing. One set is ready....

Life-drawing at Dr Sketchy's Anti-Art School Reloaded in Toronto, Nov 7, 2014. Model: Obskyura; theme: 'Over the top, pop star decadence. Excessive glamour. Sex, drugs, and rock and roll.' ©Brenda Clews, 18" x 24", graphite, Inktense black (and sometimes red or pink) blocks with a water brush pen on Strathmore 70lb archival drawing paper.













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